Spontaneous Human Combustion :: essays research papers

For as yet scientifically unknown reasons, times go along when an unsuspecting person can just burst into flames and be incinerated. This is referred to in the scientific world as Spontaneous Human Combustion or SHC. in that respect be many documented cases throughout history.The earliest cases go as far back as the early 16th century. Then there are the ones that are as recent as 1998 but have no better explanation of what happen then the ones in the 16th century did. in that location are truly only two types of cases fatal and non-fatal. The fatal cases of SHC represent three-quarters of all the reported incidents. The about common of these cases is the famous "bedroom burnings" in which a victim is found as a pile of ashes with only limbs remaining. These burnings a characterized by five main features1) The victims body and clothing is mostly reduced to ash.2) Small portions of the body (an arm, a foot, maybe the head) remain unburned.3) Only objects immediately as sociated with the body have burned the fire never spread out-of-door from the body.4) A greasy soot deposit covers the ceiling and walls, usually stopping three to four feet above the floor.5) Objects above this three to four foot specify show signs of heat damage (melted candles, cracked mirrors, etc.) objects below this line show o damage.     These cases are the ones that mass media tend to cover most and is what most nation think of when they hear about spontaneous human combustion. Nearly half of the cases are "bedroom burnings"     Another common case under the fatal family unit are the witnessed combustions, in which people are actually seen by witnesses to burst into flames. Most of the time witnesses claim that there was no other source of discharge and/or the flames were seen to come directly from the victims skin. These cases present the fact that maybe SHC has more to do with the supernatural than science. Unfortunatel y, most of theses cases are poorly documented and usually unconfirmed.     The second major type of SHC is the non-fatal cases. The victims usually dont know anymore than the investigators do. The good thing about this is that the victims are alive to enjoin about what happened and cause most SHC skeptics to take a look at the picture again.     Non-fatal cases usually incorporate one or more of the following features. The most common is the mysterious flames. This is where a victim will just begin to emit flames form their body.

The Character of Hareton in Wuthering Heights by Emily Bronte Essay

The Character of H atomic number 18ton in Wuthering Heights by Emily Bronte Wuthering Heights, written by Emile Bronte, is on of the most famous Victorian novels in English literature. This novel was the only novel written by her. The novel has the social and moral values in England in the nineteenth century as the recurring theme. The adjective wuthering is used in some parts of rural England to describe stormy weather. Wuthering Heights is a farmhouse on top of a small hillock, which is open to all the elements of wind and weather and hence is synonymous with passion and violence. The other house nearby, Thrushcross Grange contrasts sharply with Wuthering Heights. The cardinal groups of people residing here, the Earnshaws in the former and the Lintons in the latter, are also people with opposing tendencies. Into this world comes a man alien to both extremes, Heathcliff who is adopted by the Earnshaws. The whole story revolves around these characters. Hareton Earnshaw, son of Frances and Hindley Earnshaw has a small but important part in the novel. Belonging to the second generation of characters, he personifies the perfervid nature of the Earnshaws and yet is warm and gentle. Hareton is of a warm and, considering his situation, a actually cheery disposition. He owns his own share of the wild passions that are so joint to the Earnshaws, but is forced into a life of subjugation. He is quite intelligent, but is made to lead a life of an ignorant by Heathcliff, who after Hindleys death denied him any further education. Hareton as a child is wild and unruly, having a mouthful of foul words. Hareton as young man is still very rough, though subdued ... ...riendship with Cathy grows into a strong and mutual love culminating in a marriage. His love for Cathy is also, like him, pure and innocent. He transforms, from a shabbily apparel ignoramus to a respectably dressed gentleman. We do not see any of the common Victorian hypocrisy in his nature. His good character and genial temperament makes him one of the best characters in the novel. Haretons presence cannot be felt throughout the novel, but he effectually completes the story. He can be compared to a rough, unpolished diamond whose shine was not so well perceivable until another genial soul unearthed it from the mines of ignorance. He is a shining prototype of the fact that no matter where the circumstances of ones life leads to, they will, sooner or later fall upon the track of life on which they are supposed to be.

D. H. Lawrence Essay -- Biography Biographies Essays

It is a divided issue whether D. H. Lawrence is to be considered a friend or a foe to the feminist movement. On one hand, he advocates an egalitarian man- cleaning woman relationship, on the other, his notion of equality seems rather subject to qualification. His reference to the ideal monogynous partnership as phallic marriage (Spilka 7) is certainly a cue that must be taken up. Why is marriage phallic unless the phallus is intimate in the expression of sexuality? (de Beauvoir 205) The idealisation of gender relationships leads to an essentialisation of gender, which is itself at the source of patriarchal domination. Is Lawrence really a liberator of sex, or only of patriarchal sex? Does he grant more independence to the women in his novels than his predecessors or just a little more freedom within the confines of established expectations? The answers to these will be that Lawrence is not a raving misogynist (as has been suggested), but is certainly a long way from perfectly enlightened. Rupert Birkin, the Lawrentian leading male of Women in revel, extols a philosophical system of star-equilibrium in which the partners of a love relationship remain separate and individual, not blurred into one another, but together in knowledge of their difference. (WIL 230) Why not leave the other being free, why try to melt, or absorb, or merge? One might abandon oneself utterly to the moments, but not to any(prenominal) other being. (WIL 269) These moments are where one falls out of personal concern and into the rhythm of the organic universe. Because of his belief in the life-force, he has generally been called a vitalist. entirely organicist would come much closer to the mark, since the goal of life, for Lawrence... ...over. London Mandrake Press, Ltd., 1996. _ _ _. Letters to Bertrand Russell. Ed. Harry T. Moore. New York Gotham Book Mart, 1948. _ _ _. Women in Love. Ware, Hertfordshire Wordsworth Editions, Ltd., 1996. Millett, Kate. Sexual Politics. Garden City, NY Doubleday & Company, Inc., 1970. Ross, Charles L. Women in Love a Novel of Mythic Realism. Boston Twayne Publishers, 1991. Spilka, Mark. The Love Ethic of D. H. Lawrence. Bloomington Indiana University Press, 1955. Tuma, Keith, ed. Anthology of Twentieth-Century British & Irish Poetry. New York Oxford University Press, 2001. 11 The ordinary Englishman of the educated class goes to a woman now to masterbate sic himself. Because he is not going for discovery or new connection or progression, but only to repeat upon himself a known reaction. (Letters 33)

Araby by James Joyce Essay -- Araby Essays

Araby by James JoyceThere seems to be a great deal of controversy meet the short story, Araby by James Joyce. This isnt controversy dealing with various political issues or controversy involving issues of free speech or anything related to these things. It is of a more simple matter whether the young boy in this story is capable of having a deep emotional realization at the conclusion of the story. It is unequivocal to me via the final sentence, (Araby, 398), that he does not make a startling realization, rather, the narrator, as the boy many years later, looks back on how foolish he was. During well-nigh of the story, the boy comes off as extremely dark-green. So much so that it would be difficult for such a person to appreciate true whop and/or have an emotional breakthrough. The first example of his immaturity that struck me was when he would watch Managans sister. He would go so far as to peer between the blind and windowsill to catch a glimpse of his crush. When he caught s ight of her, he would bolt outside to follow her. This seems to be very immature activity, which would be fitting for a boy his age. He is self-absorbed (Crane, 398). He doesnt even seem to know his crushes name. To be in love with mortal you hardly know, to me, is very irrational and juvenile.For one to make even a remotely sound opinion on this subject, one must examine the raze of view of the narrator. The story is narrated by a mature man reflection upon his adolescence...

The Struggle Within :: essays research papers

The Struggle WithinThe Scarlet Letter offers extraordinary insight into the norms and behavior of 17th century puritan society. The basic characteristics and problems of its main characters, however, are familiar to readers in the present (Encarta 98). In The Scarlet Letter, Nathaniel Hawthorne develops Reverend Dimmesdales internal struggle through his guilt, his indecision regarding confession, and his final decision to confess.At the seed of the novel, the Reverend Dimmesdale has committed adultery with Hester Prynne, and he is constantly troubled by inescapable guilt. Dimmesdale knows he is a hypocrite and he hates himself for it. He tries many shipway to pay penance, but nothing seems to relieve him of this terrible guilt. He tries fasting and he tries whipping himself, but nothing can rid him of his guilt. This guilt causes Dimmesdale to deform physically ill. He constantly is holding his hand over his heart. This is because Hester Prynne is forced to wear the scarlet lett er A on her breast. He feels connected to her because she was his abetter _or_ abettor in sin, so he holds his hand over his heart to hide his A, or guilt. At the end of the novel when he does confess, he shows his chest, and reveals his own A. many people thought that this was caused by guilt. The Reverend Dimmesdale wants to confess, but he is always too cowardly to face the consequences of confession. In the first scaffold scene, Dimmesdale tries to confess, but is ineffectual to do it. In the second scaffold scene, Dimmesdales purpose is to stand on the scaffold until morning so everyone will see him. He is unable to stop thinking about what might happen to him if he is seen. While standing on the scaffold, in this vain show of expiation, Mr. Dimmesdale was overcome with a abundant horror of mind, as if the universe were gazing at a scarlet token on his naked breast, right over his heart. Without any power to capture himself, he shrieked aloud an outcry that went pealing thr ough the night, and was beaten back from one house to another, and reverberated from the hills in the background(Hawthorne 102)This quote shows the anguish matte up by Dimmesdale that he had no way to relieve himself of his guilt. Later, when Dimmesdale is still on the scaffold Hester and Pearl walk by. Dimmesdale asks them to join him on the scaffold.

The Struggle Within :: essays research papers

The Struggle WithinThe Scarlet Letter offers extraordinary perceptiveness into the norms and behavior of 17th century puritan society. The basic characteristics and problems of its main characters, however, are familiar to readers in the present (Encarta 98). In The Scarlet Letter, Nathaniel Hawthorne develops Reverend Dimmesdales inside struggle through his guilt, his indecision regarding confession, and his final decision to confess.At the beginning of the novel, the Reverend Dimmesdale has committed adultery with Hester Prynne, and he is constantly troubled by unavoidable guilt. Dimmesdale knows he is a hypocrite and he hates himself for it. He tries many ways to pay penance, but nothing seems to relieve him of this terrible guilt. He tries fasting and he tries whipping himself, but nothing can rid him of his guilt. This guilt causes Dimmesdale to become physically ill. He constantly is holding his hand over his heart. This is because Hester Prynne is forced to soften the scar let letter A on her breast. He feels connected to her because she was his partner in sin, so he holds his hand over his heart to hide his A, or guilt. At the end of the novel when he does confess, he shows his chest, and reveals his own A. Many people thought that this was caused by guilt. The Reverend Dimmesdale wants to confess, but he is always to a fault cowardly to face the consequences of confession. In the first sustain scene, Dimmesdale tries to confess, but is unable to do it. In the second scaffold scene, Dimmesdales purpose is to stand on the scaffold until morning so everyone will see him. He is unable to stop thinking about what might happen to him if he is seen. While standing(a) on the scaffold, in this vain show of expiation, Mr. Dimmesdale was overcome with a great horror of mind, as if the universe were gazing at a scarlet token on his naked breast, right over his heart. Without any power to restrain himself, he shrieked aloud an outcry that went pealing through the night, and was beaten hind end from one house to another, and reverberated from the hills in the background(Hawthorne 102)This quote shows the anguish felt by Dimmesdale that he had no way to relieve himself of his guilt. Later, when Dimmesdale is still on the scaffold Hester and Pearl walk by. Dimmesdale asks them to join him on the scaffold.